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Shadows on the Screen: Tanizaki Jun'ichiro on Cinema and 'Oriental' Aesthetics (Michigan Monograph Series in Japanese Studies) de Thomas Lamarre
Descripción - Reseña del editor In recent years, the impact of new media and new technologies has renewed interest in the emergence of cinema and film criticism. Yet studies to date have focused almost exclusively on western cinema and problems of western modernity. Shadows on the Screen offers a challenging new reevaluation of these issues. In addition to extensively annotated translations of the long-neglected film work of the celebrated Japanese writer, Tanizaki Jun'ichiro, LaMarre offers a series of commentaries with an original and sustained analysis of how Tanizaki grappled with the temporal paradoxes of non-western modernity in his film work. Written largely between 1917 and 1926, Tanizaki's film stories and screenplays continue to delight and disturb readers with their exploration of the racial and sexual perversion implicit in the newly cinematized modern world.
Detalles del Libro
- Name: Shadows on the Screen: Tanizaki Jun'ichiro on Cinema and 'Oriental' Aesthetics (Michigan Monograph Series in Japanese Studies)
- Autor: Thomas Lamarre
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 7 MB
- Tipos de archivo: PDF Document
- Descargada: 125 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Shadows on the screen tanizaki junʼichirō on cinema and isbn 1929280327 9781929280322 1929280335 9781929280339 oclc number 58919439 description xiv 408 pages illustrations 23 cm contents machine generated contents note ch 1 poetry and characters shi to moji to 1917 ch 2 ideography and cinematography ch 3 the mermaids lament ningyo no nageki 1917 ch 4 screen sirens ch 5 the present and future of moving pictures
Shadows on the screen tanizaki junichiro on cinema and shadows on the screen offers a challenging new reevaluation of these issues in addition to extensively annotated translations of the longneglected film work of the celebrated japanese writer tanizaki junichiro lamarre offers a series of commentaries with an original and sustained analysis of how tanizaki grappled with the temporal paradoxes of nonwestern modernity in his film work
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