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The Personal Camera - The Subjective Cinema and the Essay Film (Nonfictions) de Laura Rascoroli
Descripción - Críticas Rascaroli's text is one of impressive intellectual rigor and of utter importance to the study of an ever-changing form - subjective cinema - and of filmmaking at large.--Daniele Rugo 'Scope 'Comprehensive, insightful, richly detailed, and passionately argued... Essential.--Choice Reseña del editor The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate formsthe diary, the travelogue, the notebook and the self-portraitis cinema in the first person. It is a cinema of thought, of investigation and self-reflection, in which the filmmaker, instead of withdrawing behind the camera, comes out into the open, to say 'I', to take responsibility, and to address and engage with the spectator within a shared space of embodied subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. This study provides a unique insight into an intricate but fascinating field, by engaging with the work of directors such as Jean-Luc Godard, Chris Marker, Harun Farocki, Pier Paolo Pasolini, Alexander Sokurov, Michelangelo Antonioni, Derek Jarman, Federico Fellini, Wim Wenders, Jonas Mekas and Agnés Varda. Biografía del autor Laura Rascaroli is senior lecturer in film studies at University College Cork, Ireland. She is the author, in collaboration with Ewa Mazierska, ofFrom Moscow to Madrid: Postmodern Cities, European Cinema (2003), The Cinema of Nanni Moretti: Dreams and Diaries (2004), andCrossing New Europe: Postmodern Travel and the European Road Movie (2006).
Detalles del Libro
- Name: The Personal Camera - The Subjective Cinema and the Essay Film (Nonfictions)
- Autor: Laura Rascoroli
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 16 MB
- Tipos de archivo: PDF Document
- Descargada: 253 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Gratis The Personal Camera - The Subjective Cinema and the Essay Film (Nonfictions) de Laura Rascoroli PDF [ePub Mobi] Gratis
The personal camera subjective cinema and the essay film the personal camera is an exploration of an elusive but more and more compelling field essayistic cinema the essay film together with its cognate forms the diary the travelogue the notebook and the selfportrait is cinema in the first person
The personal camera subjective cinema and the essay film get this from a library the personal camera subjective cinema and the essay film laura rascaroli the personal camera is an exploration of an elusive but increasingly compelling field essayistic cinema the essay film together with its cognate forms the diary the travelogue the notebook
The personal camera columbia university press the personal camera is an exploration of an elusive but more and more compelling field essayistic cinema the essay film together with its cognate forms the diary the travelogue the notebook and the selfportrait is cinema in the first person
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The personal camera subjective cinema and the essay film the personal camera is an engaging sometimes illuminating and wellgrounded look at basically what people have for years now been calling the essay film the object of study of this book is sited at the intersection of documentary art film and avantgarde practices and is best defined as subjective firstperson essayistic cinema
The personal camera subjective cinema and the essay film the personal camera subjective cinema and the essay film rascaroli laura the personal camera is an exploration of an elusive but more and more compelling field essayistic cinema the essay film together with its cognate forms the diary the travelogue the notebook and the selfportrait is cinema in the first person
The essay film cpbapse2wpmucdn essay film produces a particular articulation of subjectivity the mere presence of a strong subject does not make an essay film we can safely argue that federico fellinis films for instance were always highly subjective as well as deeply autobiographical yet this does not make them all essayseven
a s dell arte storia critica e conservazione dei beni personal camera subjective cinema and the essay film wallflower press london and new york 2009 nellambito italiano federica villa docente presso luniversità di pavia ha intrapreso un percorso di ricerca sui modi e sulle forme autobiografiche e autoritrattistiche tra
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Subjective cinema and the problem subjective cinema and the problem of film in the first person julio l moreno julio l moreno a twentyeightyearold attorney and film critic is also a member of the editorial board of film published by cine universitario in montevideo uruguay this article by sefior moreno recently appeared in two issues of film it is reprinted here