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Gypsies and Flamenco: The Emergence of the Art of Flamenco in Andalusia, Interface Collection Volume 6 de Bernard Leblon

Descripción - Críticas ['Gypsies and Flamenco'] presents a compelling argument as to the huge debt Flamenco owed to the Gypsy musicians of Europe and in particular of Andalusia. . . . This is an exemplary work and the author deserves acclaim for his contribution to research in this, until recently, uncharted area. Karen Abbott, 'Brio' ' '['Gypsies and Flamenco'] presents a compelling argument as to the huge debt Flamenco owed to the Gypsy musicians of Europe and in particular of Andalusia. . . . This is an exemplary work and the author deserves acclaim for his contribution to research in this, until recently, uncharted area.' --Karen Abbott, 'Brio' Reseña del editor This definitive work on the contribution of the Gypsies to the development of flamenco traces their influences on music from their long migration from India, through Iran, Turkey, Greece, and Hungary, to their persecution in Spain. This new updated edition provides fuller explanations of some of the technical terms and an invaluable biographical dictionary of 200 of the foremost Gypsy flamenco artists from its origins to the present day, as well as a discography and videography. Biografía del autor Bernard Leblon, retired professor of Hispanic studies at the University of Perpignan, is a member of the Andalusian Flamenco Foundation, a member of the Gypsy Research Centre of the Universit+ Ren+ Descartes, and of its associated Research Group on European Gypsy History. His first work on flamenco, Gypsy Music Styles and Flamenco was awarded the 1988 Andalusian Flamenco Foundation prize.

Detalles del Libro

  • Name: Gypsies and Flamenco: The Emergence of the Art of Flamenco in Andalusia, Interface Collection Volume 6
  • Autor: Bernard Leblon
  • Categoria: Libros,Arte, cine y fotografía,Música
  • Tamaño del archivo: 15 MB
  • Tipos de archivo: PDF Document
  • Descargada: 456 times
  • Idioma: Español
  • Archivos de estado: AVAILABLE


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