Lee un libro Ghostly Landscapes: Film, Photography, and the Aesthetics of Haunting in Contemporary Spanish Culture (Toronto Iberic) de Patricia M. Keller Ebooks, PDF, ePub, Ghostly Landscapes: Film, Photography, and the Aesthetics of Haunting in Contemporary Spanish Culture (Toronto Iberic) Libro electronico gratuito
Descripción - Críticas 'In her fascinating Ghostly Landscapes, Patricia Keller considers instances of hegemonic and counter-hegemonic use of film and photography over the past eighty years of Spanish history.' -- Sebastiaan Faber * Bulletin of Spanish Visual Studies, April 2018 * Reseña del editor In Ghostly Landscapes, Patricia M. Keller analyses the aesthetics of haunting and the relationship between ideology and image production by revisiting twentieth-century Spanish history through the camera's lens. Through its vision she demonstrates how the traumatic losses of the Spanish Civil War and their systematic denial and burial during the fascist dictatorship have constituted fertile territory for the expressions of loss, uncanny return, and untimeliness that characterize the aesthetic presence of the ghost. Examining fascist documentary newsreels, countercultural art films from the Spanish New Wave, and conceptual landscape photographs created since the transition to democracy, Keller reveals how haunting serves to mourn loss, redefine space and history, and confirm the significance of lives and stories previously hidden or erased. Her richly illustrated book constitutes a significant reevaluation of fascist and post-fascist Spanish visual culture and a unique theorization of haunting as an aesthetic register inextricably connected to the visual and the landscape. Biografía del autor Patricia M. Keller is an assistant professor in the Department of Romance Studies at Cornell University.
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Ghostly landscapes film photography and the aesthetics in ghostly landscapes patricia m keller offers a novel theorization of haunting as an aesthetic register inextricably tied to the visual and to landscapekeller is thoroughly familiar with relevant scholarship on film photography haunting representations of landscape memory studies and contemporary spanish history and culture and her mastery of critical theory is dazzling
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