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Contemporary Chinese Art and Film: Theory Applied and Resisted de Jason C. Kuo
Descripción - Reseña del editor The present volume focuses on the uses of theory originating in non-Chinese places in the creation, curating, and criticism of contemporary Chinese visual culture. In the past two decades, contemporary Chinese art and film have attracted a great deal of media and academic attention in the West, and scholars have adopted a variety of approaches in Chinese film and visual studies. The present volume focuses on the uses and status of theory originating in non-Chinese places in the creation, curating, narration, and criticism of contemporary Chinese visual culture (broadly defined to include traditional media in the visual arts as well as cinema, installation, video, etc.). Contributors reflect on the written and, even more interestingly, the unwritten assumptions on the part of artists, critics, historians, and curators in applying or resisting Western theories. The essays in the present volume demonstrate clearly that Western theory can be useful in explicating Chinese text, as long as it is applied judiciously; the essays, taken as a whole, also suggest that cultural exchange is never a matter of one-way street. Historically, ideas from traditional Chinese aesthetics have also traveled to the West, and it is a challenge to examine what travels and what does not, as well as what makes such travel possible or impossible. The present volume thus provides us an opportunity to rethink travels of theories and texts across cultures, languages, disciplines, and media. 'The authors in this volume demonstrate how theory can be deployed judiciously, and so illuminate the methodological challenges faced by scholars in a rapidly evolving field. Intellectually rigorous and yet accessible, the book is a much-needed and valuable contribution to art historical scholarship.' ?Dr. Wenny Teo, Manuela and Iwan Wirth Lecturer in Modern and Contemporary Asian Art, The Courtauld Institute of Art, London. 'This collection of essays offers multifaceted approaches and perspectives that demonstrate forcefully how Western theories have appropriated Chinese visual texts into the discourse of English scholarship. This is a must-read book for anyone intending to read or write about contemporary Chinese art and cinema. ?Shu-chin Tsui, Bowdoin College, author of Women Through the Lens: Gender and Nation in a Century of Chinese Cinema . 'The theories, ranging from Bakhtin's reading to Chinese Daoist/Chan Buddhist notions, and engaging with postmodern perspectives and globalization, are boldly used to prompt readers to reinterpret contemporary Chinese art and film.' ? Haili Kong, Swarthmore College, coeditor of One Hundred Years of Chinese Cinema.
Detalles del Libro
- Name: Contemporary Chinese Art and Film: Theory Applied and Resisted
- Autor: Jason C. Kuo
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 11 MB
- Tipos de archivo: PDF Document
- Descargada: 637 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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Contemporary chinese art and film theory applied and contemporary chinese art and cinema shuchin tsui bowdoin college author of women through the lens gender and nation in a century of chinese cinema the theories ranging from bakhtins reading to chinese daoistchan buddhist notions and engaging with postmodern perspectives and globalization are boldly used to prompt readers to reinterpret contemporary chinese art and film
邵亦杨中央美术学院 icafaeducn shao yiyang the international identity of chinese art theoretical debates on chinese contemporary art in the 1990s in jason ckuo ed contemporary chinese art and film theory applied and resisted new academia publishing 2013
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Art in asia wednesday 30 january buxton contemporary art bulletin june 2016 and the inernational identity of chinese art theoretical debates on chinese contemporary art in the 1990s in jason c kuo ed contemporary chinese art and film theory applied and resisted 2013 xiao lu born 1962 hangxhou works with performance and installation
Jason kuo art history amp archaeology his edited books include discovering chinese painting dialogues with art historians 2006 visual culture in shanghai 1850s1930s 2007 perspectives on connoisseurship of chinese painting 2008 stones from other mountains chinese painting studies in postwar america 2009 contemporary chinese art and film theory applied and resisted
The inner landscape the paintings of gao xingjian new paul gladston university of nottingham principal editor of the journal of contemporary chinese art and author of contemporary chinese art a critical history in this bookjason c kuo offers his readers a multifaceted lens through which to frame an engagement with the remarkable pictorial filmic and literary art of the chinese writer and 2000 nobel laureate in literature gao
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