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Descripción - Reseña del editor From his early days as a playwright, David Hare has moved deliberately between stage, film and television, over the years building up a repertoire of work, most of which seeks to capture the changing feelings of contemporary life. Now, for the first time, some of Hare's best, and most characteristic, screenplays are collected together in a single volume, confirming his status as one of Britain's most passionate and versatile writers of fiction. This volume also contains an illuminating introduction by the author. Biografía del autor David Hare's first full-length play was produced in 1970. Since then he has written over thirty stage plays and twenty-five screenplays for film and television. The plays include Plenty, Pravda (with Howard Brenton), The Secret Rapture, Racing Demon, Skylight, Amy's View, The Blue Room, Via Dolorosa, Stuff Happens, The Absence of War, The Judas Kiss, The Red Barn and The Moderate Soprano. For cinema, he has written The Hours, The Reader, Damage, Denial, Wetherby and The White Crow among others, while his television films include Licking Hitler, the Worricker Trilogy (Page Eight, Turks & Caicos, and Salting the Battlefield) and Collateral. In a millennial poll of the greatest plays of the twentieth century, five of the top hundred were his.
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