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Descripción - CrÃticas Lovers of Cinema: The First American Film Avant-Garde, 1919 1945 is indeed a book that the conscientious film scholar cannot afford to be without. . . . This volume signals the beginning of a new era in the discussion of the early American avant-garde. Wheeler Winston Dixon, Film Quarterly ' 'Lovers of Cinema: The First American Film Avant-Garde, 1919 1945' is indeed a book that the conscientious film scholar cannot afford to be without. . . . This volume signals the beginning of a new era in the discussion of the early American avant-garde. Wheeler Winston Dixon, 'Film Quarterly' ' ''Lovers of Cinema: The First American Film Avant-Garde, 1919-1945' is indeed a book that the conscientious film scholar cannot afford to be without. . . . This volume signals the beginning of a new era in the discussion of the early American avant-garde.'--Wheeler Winston Dixon, 'Film Quarterly' Reseña del editor Harold Scheub has conducted many investigations into nonverbal aspects of storytelling. In this work, he searches out what makes a story artistically engaging and emotionally evocative, the metaphorical centre that Scheub calls the poem in the story. BiografÃa del autor Jan-Christopher Horak is director of the Munich Film Museum and professor at the Munich Television and Film Academy in Germany. He was previously senior curator of film collections at George Eastman House in Rochester, New York, and professor of English and film studies at the University of Rochester.
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