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A History of Pain - Trauma in Modern Chinese Literature and Film (Global Chinese Culture) de Michael Berry
Descripción - CrÃticas Twentieth-century China had more than its share of pain, and Michael Berry unfolds the layers of its meanings in diverse contexts and several media. He shows how the pain of groups relates to identity, morality, politics, and to the meaning of 'history' and 'literature.' No serious student of modern China will want to miss his erudite survey. -- Perry Link, professor of East Asian studies, Princeton University Beautifully written, this book is 'educational' in the very best sense... Essential. Choice The book is significant for its extensive survey of the discourse of trauma. JumpCut Reseña del editor The portrayal of historical atrocity in fiction, film, and popular culture can reveal much about the function of individual memory and the shifting status of national identity. In the context of Chinese culture, films such as Hou Hsiao-hsien's City of Sadness and Lou Ye's Summer Palace and novels such as Ye Zhaoyan's Nanjing 1937: A Love Story and Wang Xiaobo's The Golden Age collectively reimagine past horrors and give rise to new historical narratives. Michael Berry takes an innovative look at the representation of six specific historical traumas in modern Chinese history: the Musha Incident (1930); the Rape of Nanjing (1937-38); the February 28 Incident (1947); the Cultural Revolution (1966-76); Tiananmen Square (1989); and the Handover of Hong Kong (1997). He identifies two primary modes of restaging historical violence: centripetal trauma, or violence inflicted from the outside that inspires a reexamination of the Chinese nation, and centrifugal trauma, which, originating from within, inspires traumatic narratives that are projected out onto a transnational vision of global dreams and, sometimes, nightmares. These modes allow Berry to connect portrayals of mass violence to ideas of modernity and the nation. He also illuminates the relationship between historical atrocity on a national scale and the pain experienced by the individual; the function of film and literature as historical testimony; the intersection between politics and art, history and memory; and the particular advantages of modern media, which have found new means of narrating the burden of historical violence. As Chinese artists began to probe previously taboo aspects of their nation's history in the final decades of the twentieth century, they created texts that prefigured, echoed, or subverted social, political, and cultural trends. A History of Pain acknowledges the far-reaching influence of this art and addresses its profound role in shaping the public imagination and conception-as well as misconception-of modern Chinese history. BiografÃa del autor Michael Berry is associate professor of contemporary Chinese cultural studies at the University of California, Santa Barbara. He is the author of Speaking in Images: Interviews with Contemporary Chinese Filmmakers, Jia Zhang-ke's Hometown Trilogy, and Memories of Shadows and Light: In Dialogue with the Cinematic World of Hou Hsiao-hsien (in Chinese) and the translator of several novels, including To Live, Nanjing 1937: A Love Story, Wild Kids: Two Novels About Growing Up, and, with Susan Chan Egan, The Song of Everlasting Sorrow: A Novel of Shanghai.
Detalles del Libro
- Name: A History of Pain - Trauma in Modern Chinese Literature and Film (Global Chinese Culture)
- Autor: Michael Berry
- Categoria: Libros,Literatura y ficción,Historia, teorÃa literaria y crÃtica
- Tamaño del archivo: 9 MB
- Tipos de archivo: PDF Document
- Descargada: 253 times
- Idioma: Español
- Archivos de estado: AVAILABLE
[Download] A History of Pain - Trauma in Modern Chinese Literature and Film (Global Chinese Culture) de Michael Berry Ebooks, PDF, ePub
A history of pain trauma in modern chinese literature and depictions of violence in chinese fiction and visual culture are by no means an entirely modern phenomenon in classic works of late imperial literature such as outlaws of the marsh shui hu zhuan 水滸傳 the chivalric tale of 108 bandits and journey to the west xi you ji 西游記 the fantastic account of a monk a friar a pig and a monkey who travel to india in search of buddhist
A history of pain trauma in modern chinese literature get this from a library a history of pain trauma in modern chinese literature and film michael berry
A history of pain trauma in modern chinese literature and a history of pain trauma in modern chinese literature and film global chinese culture kindle edition by berry michael download it once and read it on your kindle device pc phones or tablets use features like bookmarks note taking and highlighting while reading a history of pain trauma in modern chinese literature and film global chinese culture
A history of pain trauma in modern chinese literature get this from a library a history of pain trauma in modern chinese literature and film michael berry the portrayal of historical atrocity in fiction film and popular culture can reveal much about the function of individual memory and the shifting status of national identity in the context of
Cinii 図書 a history of pain trauma in modern chinese a history of pain trauma in modern chinese literature and film michael berry global chinese culture columbia university press c2008 cloth
A history of pain trauma in modern chinese literature and buy a history of pain trauma in modern chinese literature and film global chinese culture reprint by berry michael isbn 9780231141635 from s book store everyday low prices and free delivery on eligible orders
A history of pain columbia university press twentiethcentury china had more than its share of pain and michael berry unfolds the layers of its meanings in diverse contexts and several media he shows how the pain of groups relates to identity morality politics and to the meaning of history and literature no serious student of modern china will want to miss his erudite survey
A history of pain 豆瓣 a history of pain acknowledges the farreaching influence of this art and addresses its profound role in shaping the public imagination and conceptionas well as misconceptionof modern chinese history
Pain management in trauma a review study pain in trauma has a role similar to the doubleedged sword on the one hand pain is a good indicator to determine the severity and type of injury on the other hand pain can induce sever complications and it may lead to further deterioration of the
Childhood trauma and pain and pain catastrophizing in objective previous studies have indicated relationships between trauma in childhood and pain in adulthood although some studies have reported no such relationships and challenge the methodologies of largescale community samples in this study involving a clinical sample we examined relationships among 1 childhood trauma at ages 12 or younger 2 rated pain for 3 time points in adulthood