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Operatic Geographies: The Place of Opera and the Opera House de Suzanne Aspden
Descripción - Críticas 'This volume goes beyond the old and prevalent Marxian interpretation of the place of the opera house as an expression of centralized power, instead exploring the more nuanced possibility of a network of competing powers at play. Original and thought-provoking, these essays offer a multitude of new and fresh perspectives on the 'situatedness' of opera.'--Pierpaolo Polzonetti, author of Italian Opera in the Age of the American Revolution 'Operatic Geographies is a rich, diverse and thought-provoking collection of essays from which geographers will learn a great deal. Above all, perhaps, the essays produced by Aspden's contributors raise a question as to why historical geographers concerned with spaces of knowledge have tended to restrict their interest over the past few decades to spaces of scientific knowledge, production and reception. If the focus has been on labs and museums, on the ship and the scientific instrument, perhaps there are also narratives that deserve to be written about the theatre and the concert hall, about the travelling player and the musical instrument. These essays about the spaces of opera show us that many spaces of knowledge and culture would benefit from a more geographically-sensitive analysis.'--Journal of Historical Geography Reseña del editor Since its origin, opera has been identified with the performance and negotiation of power. Once theaters specifically for opera were established, that connection was expressed in the design and situation of the buildings themselves, as much as through the content of operatic works. Yet the importance of the opera house’s physical situation, and the ways in which opera and the opera house have shaped each other, have seldom been treated as topics worthy of examination. Operatic Geographies invites us to reconsider the opera house’s spatial production. Looking at opera through the lens of cultural geography, this anthology rethinks the opera house’s landscape, not as a static backdrop, but as an expression of territoriality. The essays in this anthology consider moments across the history of the genre, and across a range of geographical contexts—from the urban to the suburban to the rural, and from the “Old” world to the “New.” One of the book’s most novel approaches is to consider interactions between opera and its environments—that is, both in the domain of the traditional opera house and in less visible, more peripheral spaces, from girls’ schools in late seventeenth-century England, to the temporary arrangements of touring operatic troupes in nineteenth-century Calcutta, to rural, open-air theaters in early twentieth-century France. The essays throughout Operatic Geographies powerfully illustrate how opera’s spatial production informs the historical development of its social, cultural, and political functions. Biografía del autor Suzanne Aspden is associate professor of music at the University of Oxford and fellow of Jesus College, Oxford. She is the author or editor of two previous books, and is a former editor of the Cambridge Opera Journal.
Detalles del Libro
- Name: Operatic Geographies: The Place of Opera and the Opera House
- Autor: Suzanne Aspden
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 9 MB
- Tipos de archivo: PDF Document
- Descargada: 125 times
- Idioma: Español
- Archivos de estado: AVAILABLE
Descargar Operatic Geographies: The Place of Opera and the Opera House de Suzanne Aspden Ebooks, PDF, ePub
Operatic geographies the place of opera and the opera since its origin opera has been identified with the performance and negotiation of power once theaters specifically for opera were established that connection was expressed in the design and situation of the buildings themselves as much as through the content of operatic works yet the importance of the opera houses physical situation and the ways in which opera and the opera house
Operatic geographies the place of opera and the opera house operatic geographies invites us to reconsider the opera houses spatial production looking at opera through the lens of cultural geography this anthology rethinks the opera houses landscape not as a static backdrop but as an expression of territoriality
Operatic geographies the place of opera and the opera house operatic geographies the place of opera and the opera house suzanne aspden since its origin opera has been identified with the performance and negotiation of power once theaters specifically for opera were established that connection was expre
Pdf operatic geographies the place of opera and the operatic geographies the place of opera and the opera house dr suzanne aspden ๑๑ author dr suzanne aspden date 04 jun 2019 publisher the university of chicago press language english book format paperback320 pages isbn10 022659601x file size 55 mb dimension 157x 231x 25mm612g download link operatic
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Operatic geographies the place of opera and the opera house operatic geographies book read reviews from worlds largest community for readers since its origin opera has been identified with the performance and
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